PRINT IS BEAUTIFUL. It can’t notify you when a work email arrives, can’t be tweeted mid-sentence, and won’t die without a charger. Even better, it’s finite.
It’s also supposed to be dead. For years, the new media vanguard has preached “digital first” and the death knell has sounded again and again for print, as legendary magazines moved online or ceased publication altogether. Now, 20 years into the digital revolution, print is making something of a comeback. Tablet, Politico, and The Pitchfork Review are among the successful digital publications that have ventured into print. Nautilus, Kinfolk, and California Sunday Magazine have launched in print in the last few years, and their audiences are passionate and growing.
Tablet, a digital magazine for curious Jews (and their friends) that has been around since 2009, issued its first print edition in November. Editor in chief Alana Newhouse says certain stories, including fiction and “deeper” news and culture pieces, work better on paper. “I don’t think the internet metabolizes certain kinds of stories properly,” she says
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